{"id":2090,"date":"2012-11-19T23:51:09","date_gmt":"2012-11-20T04:51:09","guid":{"rendered":"http:\/\/www.celticharper.com\/blog\/?p=2090"},"modified":"2012-11-19T23:51:09","modified_gmt":"2012-11-20T04:51:09","slug":"pompeii-is-burning","status":"publish","type":"post","link":"http:\/\/www.celticharper.com\/blog\/?p=2090","title":{"rendered":"Pompeii is Burning"},"content":{"rendered":"<p><i>Transcribed from Snowflake (Blue Flower) Journal<\/i><\/p>\n<p><b>Pompeii is Burning<\/b><\/p>\n<p>Stamped tin soldiers<br \/>\ncigar box guitar<br \/>\nan empty can<br \/>\n&nbsp; of red kidney beans<br \/>\n&nbsp; beside<br \/>\n&nbsp; a broken can opener<br \/>\n&nbsp; and a Swiss Army knife<br \/>\nShe lost the toothpick<br \/>\n&nbsp; first year in<br \/>\nthe nail file<br \/>\n&nbsp; five years after that<br \/>\nbut the knives<br \/>\n&nbsp; are still sharp<br \/>\n&nbsp;&nbsp; as the day she bought it<br \/>\nthe knives, like the lies<br \/>\n&nbsp; are always<br \/>\n&nbsp;&nbsp;  sharp.<\/p>\n<p>Some stories<br \/>\n&nbsp; get worn over time<br \/>\n&nbsp;&nbsp; smoothed, rounded,<br \/>\n&nbsp;&nbsp;&nbsp; polished, comfortable<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; benign<br \/>\nShe keeps hers<br \/>\n&nbsp; lean and hungry<br \/>\n&nbsp;&nbsp; (for we are all<br \/>\n&nbsp;&nbsp;&nbsp; honourable men)<\/p>\n<p>Knew you not Pompeii?<br \/>\nPeople died there<br \/>\nat least that&#8217;s what they say<br \/>\nchoking in ash<br \/>\n&nbsp; so hot it<br \/>\n&nbsp;&nbsp; turned your lungs<br \/>\n&nbsp;&nbsp;&nbsp; to cinders<br \/>\n&nbsp; shadows still lying<br \/>\n&nbsp;&nbsp; in each other&#8217;s arms;<br \/>\nIf this is what<br \/>\n&nbsp; they call an aftershock<br \/>\nI&#8217;d hate to be<br \/>\n&nbsp; at ground zero<br \/>\n&nbsp;(the eye of the storm<br \/>\n&nbsp; is a myth<br \/>\n&nbsp;&nbsp; like Sisyphus<br \/>\n&nbsp;&nbsp; and Androcles;<br \/>\n&nbsp; a starving lion<br \/>\n&nbsp;&nbsp; will eat anything.)<\/p>\n<p>He thinks:<br \/>\n&nbsp; the pictures are too small<br \/>\n&nbsp;&nbsp; for their place<br \/>\n&nbsp;&nbsp;&nbsp; on the wall<br \/>\n&nbsp;(discount bin beige<br \/>\n&nbsp; masquerading as cappuccino)<br \/>\nA picture should expand<br \/>\n&nbsp; until it fills the emptiness<br \/>\n&nbsp; the artist as magician<br \/>\n&nbsp; capable of placing<br \/>\n&nbsp;&nbsp; images directly in your mind,<br \/>\n&nbsp; indirectly deciphered,<br \/>\n&nbsp; unhindered by education<br \/>\n&nbsp; enhanced by hearsay,<br \/>\n&nbsp;&nbsp; or possibly just<br \/>\n&nbsp;&nbsp; seen in the wrong light<br \/>\n&nbsp;&nbsp; the image becomes<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Art<br \/>\n&nbsp; (that&#8217;s Art with a capital &#8216;A&#8217;<br \/>\n&nbsp;&nbsp; for those who are only<br \/>\n&nbsp;&nbsp;&nbsp; listening).<\/p>\n<p>&nbsp; Birds,<br \/>\n&nbsp; unlike people,<br \/>\n&nbsp;&nbsp; don&#8217;t need directions<br \/>\n&nbsp; don&#8217;t need to ask,<br \/>\n&nbsp;&nbsp; &quot;what&#8217;s my motivation?&quot;<br \/>\n&nbsp; The final cut is<br \/>\n&nbsp;&nbsp; indistinguishable<br \/>\n&nbsp;&nbsp; from the blooper reel<br \/>\n&nbsp;&nbsp; in the tangible world;<br \/>\n&nbsp;&nbsp;&nbsp; there are no second takes.<br \/>\n&nbsp; Birds<br \/>\n&nbsp; don&#8217;t need to be told<br \/>\n&nbsp;&nbsp; to seek higher ground;<br \/>\n&nbsp;&nbsp; they&#8217;re already up there<br \/>\n&nbsp;&nbsp;&nbsp; already hip<br \/>\n&nbsp;&nbsp;&nbsp; to the secrets<br \/>\n&nbsp;&nbsp;&nbsp; of the city dumpster<br \/>\n&nbsp;&nbsp;&nbsp; and the food court crumbs.                                                        <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i><b>In the margins:<\/b><br \/>\n&nbsp;&nbsp;&nbsp; what are you doing tomorrow?<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; and tomorrow, and tomorrow&#8230;<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; creeps in this heady pace, from day to day<br \/>\n&nbsp;&nbsp;&nbsp; &quot;this place is the beat of my heart&quot;<br \/>\n&nbsp;&nbsp; &quot;if the storm doesn&#8217;t kill you, the government will&quot;<br \/>\n&nbsp;&nbsp; submerged elevators, broken wire mesh hearts,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; &#038; quicksilver tears<\/i><\/p>\n<p>Lay me down<br \/>\n&nbsp; in a field of poppies<br \/>\n&nbsp;&nbsp; cotton candy colours<br \/>\n&nbsp;&nbsp;&nbsp; nodding<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; in a sea of green<\/p>\n<p>Someone told him<br \/>\n&nbsp; never to look back<br \/>\n&nbsp; but neither the threat of salt<br \/>\n&nbsp; nor the apocryphal tales<br \/>\n&nbsp;&nbsp; of pomegranate seeds<br \/>\n&nbsp;&nbsp; can hope to compete<br \/>\n&nbsp;&nbsp; with that twinge<br \/>\n&nbsp;&nbsp; in the pit of your stomach<br \/>\n&nbsp;&nbsp;&nbsp; that says, clear<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; as pycrete,<br \/>\n&nbsp;&nbsp;&nbsp; I&#8217;m sure<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; I left the stove on;<\/p>\n<p>And Pompeii is burning,<br \/>\n&nbsp; Delaware&#8217;s bleeding,<br \/>\n&nbsp;&nbsp; and Venice is sinking<br \/>\n&nbsp;&nbsp;&nbsp; beneath the green waves;<br \/>\n&nbsp;&nbsp;&nbsp; who knew that death<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; could smell so sweet?<\/p>\n<p>Tuesday comes<br \/>\n&nbsp; after Monday,<br \/>\n&nbsp; at least that&#8217;s what they say;<br \/>\n&nbsp; people died there,<br \/>\n&nbsp;&nbsp; choking on laughter<br \/>\n&nbsp;&nbsp; so hot it turned<br \/>\n&nbsp;&nbsp; your heart to ashes<br \/>\n&nbsp;&nbsp;&nbsp; blown away<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; on the next<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; stiff breeze.<\/p>\n<p>In the midst<br \/>\n&nbsp; of stagnation<br \/>\n&nbsp;&nbsp; the hero transforms:<br \/>\n&nbsp;&nbsp;&nbsp; liquid to solid<br \/>\n&nbsp;&nbsp;&nbsp; to supersaturated<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; super-solution;<br \/>\n&nbsp;only it&#8217;s not<br \/>\n&nbsp;&nbsp; your grandfather&#8217;s<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; fairytale<br \/>\n&nbsp;&nbsp; set in the realm<br \/>\n&nbsp;&nbsp;&nbsp; of Escher&#8217;s pen,<br \/>\n&nbsp;&nbsp;&nbsp; where the endless stair<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; becomes a hill<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; that never sets,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; a winter<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; that never rises,<br \/>\n&nbsp; words that freeze solid<br \/>\n&nbsp;&nbsp; and fall to the ground<br \/>\n&nbsp;&nbsp;&nbsp; so you have to thaw them<br \/>\n&nbsp;&nbsp;&nbsp;  by the fire to hear them.<\/p>\n<p>Can a song escape the singer?<br \/>\n&nbsp; can you put a bounty<br \/>\n&nbsp;&nbsp; on an idea?<br \/>\n&nbsp; can a toy car jammed<br \/>\n&nbsp;&nbsp; into an old car seat<br \/>\n&nbsp;&nbsp;&nbsp; really save your soul?<\/p>\n<p>She would see the glass<br \/>\n&nbsp; as a weapon at hand<br \/>\nHe would see the lens<br \/>\n&nbsp; full of rainbows<br \/>\n&nbsp; and long-playing prog albums<br \/>\n&nbsp;&nbsp; (the round kind<br \/>\n&nbsp;&nbsp; with bumps on<br \/>\n&nbsp;&nbsp; for the needles to read,<br \/>\n&nbsp;&nbsp; for those who are only now<br \/>\n&nbsp;&nbsp;&nbsp; waking up);<br \/>\nThe homeless man<br \/>\n&nbsp; who used to play air drums<br \/>\n&nbsp; on the George Street bench<br \/>\n&nbsp;&nbsp;&nbsp; (he&#8217;s dead now)<br \/>\n&nbsp;&nbsp; would see a portent<br \/>\n&nbsp;&nbsp;&nbsp; of things to come<br \/>\n&nbsp;&nbsp;&nbsp; and, drinking it,<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; become the Messiah.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<i><b>In the margins:<\/b><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; and heaven would ring<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; with steel drum reggae bebop<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; and dancing in the streets<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; sepia piano tones<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and false drawers that don&#8217;t open<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp; plastic flowers, backgammon &#038; tea<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Never stop digging;<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; some day you&#8217;ll reach<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; the other side of the world<\/i><\/p>\n<p><i><b>&#8211; T.H. (May 2012)<\/b><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Transcribed from Snowflake (Blue Flower) Journal Pompeii is Burning Stamped tin soldiers cigar box guitar an empty can &nbsp; of red kidney beans &nbsp; beside &nbsp; a broken can opener &nbsp; and a Swiss Army knife She lost the toothpick &hellip; <a href=\"http:\/\/www.celticharper.com\/blog\/?p=2090\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[834,820,809,833],"_links":{"self":[{"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2090"}],"collection":[{"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2090"}],"version-history":[{"count":7,"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2090\/revisions"}],"predecessor-version":[{"id":2097,"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2090\/revisions\/2097"}],"wp:attachment":[{"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2090"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.celticharper.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}