I like the juxtaposition in these three between the concepts of fire/heat and water/coolness. These are all examples of Mark’s digital “paintings”, which combine original photographs with digital layering and manipulation (you can find a brief explanation of the process he uses below the pictures). All can be clicked on to see a larger version.
The Creative Process:
Mark starts by taking a ton of original photographs, using his trusty Canon Rebel (an old model, but good). When collecting “fodder” (as he likes to call it) for his digital art, he is often drawn to things with intriguing texture and contrast (so his collection includes a lot of close-up macro-photography of things like rusted metal, weathered antiques, moving water, and so on). The digital manipulation process ranges from something as simple as punching up the contrast and saturation, to many painstaking hours of layering (sometimes using dozens of different photos) and playing around with all manner of different filters and tweaking, most of which is well beyond what mere mortals can comprehend (he has more than once shown me Photoshop tweaks I didn’t even know existed; I think he has access to a secret Photo-mage level of menu not allowed to the likes of us regular folks).