These two have always made me think of some kind of cosmic alien life form, not bound by the dimensional restrictions that normally apply to humans. The first one is aptly titled ‘protozoa’. The second one, ‘Transit’, could be an alien egg just about to hatch – or, as suggested, something in transit from one form to another.
Tag Archives: original
Seagulls flying down main street
Why does it seem incongruous today?
Reason would suggest that they’re the same ordinary lake gulls
that buzz our parking lots & pick at our garbage
And yet, today it seems as if there might be
some grand conspiracy, some avian plot
as they dip and dive, casing out the buildings, measuring traffic flow
all in preparation for some secret rebellion, some white-feathered coup.
(The young man who brought me my bureka called me “madam”
Does that mean that today I look my age?
Or is it a cultural transplant of politeness?
Would he say that to a fresh-faced young student
still learning the maze of our one-way streets and hellishly steep hills?)
Meanwhile, mother-of-the-year award recipient
hangs back and smokes, while her child plays in the street
Trying to remember the vagueness of cars at that age
knowing they’re big, and fast, and dangerous
but so easy to forget, as you move from one fascination to the next
today, in this moment, it’s watching the leaves collect in the gutter,
multicoloured fly-weight boats riding the cold currents of November winds,
congregating around the sewer grates.
[Could you read the future in the way the foam striations
adhere to the porcelain curves?
A map of subtle imperfections,
and the rate at which things cool:
liquid, solid; love & friendship;
memory and passion.]
Why is it, that to feel strong
people need to make someone else feel weak?
Imagine what the world would be like
if we could all be strong together.
(11.13.14, @ Dreams of Beans)
I like the juxtaposition in these three between the concepts of fire/heat and water/coolness. These are all examples of Mark’s digital “paintings”, which combine original photographs with digital layering and manipulation (you can find a brief explanation of the process he uses below the pictures). All can be clicked on to see a larger version.
The Creative Process:
Mark starts by taking a ton of original photographs, using his trusty Canon Rebel (an old model, but good). When collecting “fodder” (as he likes to call it) for his digital art, he is often drawn to things with intriguing texture and contrast (so his collection includes a lot of close-up macro-photography of things like rusted metal, weathered antiques, moving water, and so on). The digital manipulation process ranges from something as simple as punching up the contrast and saturation, to many painstaking hours of layering (sometimes using dozens of different photos) and playing around with all manner of different filters and tweaking, most of which is well beyond what mere mortals can comprehend (he has more than once shown me Photoshop tweaks I didn’t even know existed; I think he has access to a secret Photo-mage level of menu not allowed to the likes of us regular folks).
In the best laid plans category, I had one a while back to start featuring more of Mark’s art here, since he doesn’t have a blog of his own – something I’ve been sadly remiss in keeping up since the intial posting of a selection from his beautiful Planets series. As part of this year’s November challenge, I hope to rectify that lapse on my part. More to come in the near future.
This has got to be one of the more impressive videos I’ve seen in a while. The camera work alone is amazing.